A younger Rebecca (Amiah Miller) draws a picture of her family. Rebecca (Teresa Palmer) looks to her left… …and is transported to her past. Rebecca (Teresa Palmer) is transported to her past. Then she goes to her bathroom and stares into her mirror to collect and center herself – a callback to the start of the film and a confirmation of the depths of her trauma. Diana leaps and is just about to claw Rebecca but the lights come back in, giving Rebecca just enough time to turn on the main lights and cast Diana out. But then the figure disappears as the lights come back in Rebecca now knows Diana is here for her. She notices a small figure crouching in the doorway and calls out thinking it’s Martin. Her room is caked in the red lights before they dissipate to darkness, an ebb-and-flow reminiscent of a similarly chilling sequence from James Wan’s Dead Silence. It opens with an establishing shout from the outside of Rebecca’s apartment the red neon tattoo shop outside her window glows in cycles. ġ.The film’s stand-out sequence happens at 23 minute mark. The hellish colorscape adds to the imminent threat of Diana. The neon red light sequence is the film’s standout and accentuates the terror of the moment. Rebecca (Teresa Palmer) stares at herself in the mirror. Rebecca ( Teresa Palmer) realizes what’s happening Diana (Alicia Vela-Bailey) leaps at Rebecca. Rebecca (Teresa Palmer) sees a figure in the dark. Rebecca (Teresa Palmer) is bated by its red glow. SPOILER DISCUSSION The neon red lights of the tattoo shop flicker.
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